Atomos Shogun Studio 2 Rackmount Recorder Price in Pakistan

By: Atomos

Model: ATOMSHSTU2

Sku: 5C76A6AQEC

PKR 1,225,899

& FREE Standard Delivery

Availability: In Stock In Stock

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  • Environmental: Ambient Operating Temperature: Up to 40 Degrees Celsius
  • Construction: Body: Metal Chassis / Cooling: Heat Sink + Actively controlled Fan / Tally Light: LED on the Front of the Device / Multi-Function Button: Power / Lock Screen + Dual Record Trigger
  • Power: Continuous Power: 2 x Internal Power Supplies / DC-In Connector: 2 x IEC C14 Connectors
  • Display: Display Panel: SuperAtom IPS panel (Capacitive Touch) / Size: 2 x 7” / Resolution: 2 x 1920 x 1200 (1920 x 1080 Image Display) / PPI: 325 / Bit Depth: 10-Bit (8+2 FRC) / Backlight Type: Dynamic Full Array Local Dimming (FALD) 360 Zones Brightness (cd/m² / nits): 1500 nit / 3000 nit (Peak HDR Brightness Mode) / Aspect Ratio: 16:10 (16:9 Image Display) / Color Gamut: Rec.709 / Calibration Support: ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
  • Color Pipeline: Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log / Gamut: Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut / 3D LUT Display: .Cube Format (17 & 33 points supported) / 3D LUT Output: Loop out / 3D LUT 50/50: Via Compare Option in LUTs Menu / Monitoring Modes: Native / HLG / PQ / 3D LUT / HDR Output Conversion: Camera Log to HLG / PQ
  • Color Management: Calibration: ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus / Display Controls: Backlight, Lift, Gamma, Gain / AtomHDR: Built-in Technical Log to HDR EOTF / 3D LUTs: Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals / Legalize: Full to Legal Range Conversion available via Input Menu
  • Video Input: HDMI: HDMI (2.0) (for each Recording Unit) / SDI: 2 x 12G SDI (6G/3G Backwards Compatible) + 2 x 3G SDI (for each Recording Unit) / RJ45 / Network: Service Only / Bit Depth: 8/10-Bit for Video / up to 12-Bit for RAW / Video Chroma Subsampling: YCbCr 4:2:0 & 4:2:2 / HDR: HDMI Auto Detection
  • Metadata: SDI: File Name – Arri & RED. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut
  • File Naming: Standard: Scene/Shot/Take & Rolling Scene/Shot/Take / Via SDI: Auto-matched filenames from supported Arri & RED Cameras
  • Video Output: HDMI: HDMI (2.0) (for each Recording Unit) /SDI Loop / Play Out: 2 x 12G SDI (for each Recording Unit) / Video Chroma Subsampling: 4:2:2 / Bit Depth: Video / HDR: HDMI Auto Detect
  • Video Signal Conversion: HDMI to SDI: Supported / SDI to HDMI: Supported
  • Audio In/Out: Audio Quality: 24-Bit / 48kHz / Audio Codec: PCM / HDMI: 8ch 24-Bit, Input dependent / SDI: 12ch 24-Bit, Input dependent / Analog Audio In: 2 x 3-Pin XLR(F) (for each Recording Unit) / Analog Audio Out / 2 x 3-Pin XLR(M) (for each Recording Unit) / Headphone Out: 3.5mm Jack
  • Timecode / SyncHDMI Embedded: Supported / SDI Embedded: Supported / Time of Day: Supported / LTC: LTC via dedicated BNC In/Output (Record Mode only) / Genlock: Supported (Playback Mode only)
  • Resolution and Frame Rates (Record, Monitor & Playback): 6K RAW: up to 6Kp30 via SDI / 4K RAW: up to 4Kp60 via SDI / 2K RAW: up to 2Kp240 via SDI / 4K DCI: up to 4Kp60 / 4K UHD: up to UHDp60 / 2K DCI 2048 x 1080: up to 2Kp60 via SDI / FHD 1920 x 1080 Progressive: up to 1080p120 (Single Record Mode) – up to 4 x 1080p60 ISO (for each Recording Unit) /FHD 1920 x 1080 PsF: Only via Pulldown to Progressive / FHD 1920 x 1080 Interlaced: 1080i50 / 1080i60 / 1280 x 720p: up to 720p60
  • Recording Codecs: cDNG: SDI RAW Inputs up to 4Kp30 only / Apple ProRes RAW: ProRes RAW & RAW HQ / Apple ProRes: HQ, 422, LT / Avid DNxHD: 220x, 220, 145, 36 (.MOV Wrapper) / Avid DNxHR: HQX, HQ, SQ, LB (.MOV Wrapper)
  • Recording functions: Pre-roll Recording: 8s HD / 4s 4K – ProRes & DNx only / ISO Recording: 4 x ISO up to 1080p60 (3G SDI Level A only) (for each Recording Unit) / Switched Program Record: Supported
  • Playback: Playlist: Selected Clips, Favorites, or Combined: Loop / Supported, with user-customizable In / Out Markers/ cDNG: Not Supported / Apple ProRes Raw: Recorded clips only / Apple ProRes: HQ, 422, LT (Linear PCM Audio only) / Avid DNx: DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)
  • Multi Input / Switching: Dual Input Display: via Multi ISO Input Mode / Multiple SDI input: Up to 4 x 1080p60 (3G SDI Level A only) (for each Recording Unit) / Multiview Display: via Multi ISO Input Mode / Input Switching: Supported
  • Supported Media: Master Caddy I: Not Supported / Master Caddy II: Supported / Master Caddy III: Supported / SSDmini: Supported (AtomX SSDmini Handle required) / CFast 2.0: Not Supported / File System: exFAT / Interface: SATA 3.0
  • On-Screen Tools: Waveform:3 Sizes – Adjustable Opacity & Brightness / RGB Parade: 3 Sizes – Adjustable Opacity & Brightness / Vector Scope: 2 Sizes – Adjustable Opacity & Brightness Zoom Tap to Zoom: 2 x Zoom: Tap to Zoom / Focus Peaking: 3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity / Zebra: Adjustable Threshold (50% to 105%) / Isolate Color Channel: Blue Only / Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 / Social Frame Guides: 9:16, 1:1, 1.91:1, 4:5 / Safe Areas: SMPTE Safe Title Area – 93% & 90% / Grid Markers / 9 Grid / Anamorphic Desqueeze: 2x, 1.8x, 1.5x, 1.33x, 1.25x / Display Flip: Vertical / Colorized Exposure: Atomos False Color
  • Onboard Signal Processing: 4K UHD Downscale for HD / Available on loop out / DCI CropAvailable on loop out / 6K RAW to 4K Video Loop Out: Available on loop out / Interlaced to Progressive: 2:2 & 3:2 Pulldown / PsF to Progressive: 2:2 & 3:2 Pulldown
  • Remote Control / HDMI: Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run) / SDI: Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) / Serial 2.5mm Jack: Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable / RJ45: Service Only / RS422: Supported – Qualified Controllers only
  • Cut & Tag: FCP XML: Up to 10 Tags supported for each Clip & Multicam with Transitions in FCP XML
  • Supported Applications: XML / Apple Final Cut Pro (.fcpxml) / Apple ProRes RAW: Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight / Video Codecs: All NLE applications that support Apple ProRes & Avid DNx in .MOV Wrapper
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FLEXIBILITY

All powerful. All in one.

The highly flexible Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7-inch HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.

  • HDR: Dual Monitor
  • 2-channel: 4Kp60
  • 8-channel: HDp60
  • Rackmountable: Easy installation

PRODUCTION READY

Record multiple formats

The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and Avid DNx codecs

MAXIMUM FLEXIBILITY

More codec choices

Upgrade your workflow from highly compressed Long-GOP codecs by recording with production-ready Apple ProRes and Avid DNx, which are robust, easy to edit and color-accurate. Or capture into Apple ProRes RAW from a wide range of cameras for maximum quality – and flexibility.

PLAYBACK AND EDIT

Instant recall

Review or play out your footage directly on the Shogun Studio 2 using touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Create playlists from clips either recorded on an Atomos recorder, or from your edit system in supported formats.

RACK READY

Pack your rack with twin Shogun power

The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges, or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.

RECORDING

Advanced record modes

The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.

The Shogun Studio 2 can pre-record for 8 seconds in HD or 2-3 seconds in 4K, so you never miss any action. It can also record multicamera ISO feeds and can switch up to 8 SDI inputs from cameras at up to 1080p60.

APPLE PRORES RAW

The ProRes RAW advantage

ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.

The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.

Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer, along with a collection of other apps including Assimilate Scratch, Colorfront, FilmLight Baselight and Grass Valley EDIUS.

SCREEN TECHNOLOGY

Class Leading Screen Technology

The dual 7-inch screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.

In the Box

  • Atomos Shogun Studio 2 Rackmount Recorder
  • 2 x Rack Ears with Screws
  • 4 x Rubber Feet with Screws
  • 2 x IEC Power Cables
  • 2 x Coiled HDMI Cables
  • 5 x Master Caddy II
  • USB-C SSD Dock